The Interject

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Published: Dec 30, 2023
DOI: https://doi.org/10.32334/oqnfp.2023n53a973
Keywords:
interject, interjective relations, experience, William James, Subjectivity

Main Article Content

Adalberto Müller
Universidade Federal Fluminense (UFF)
https://orcid.org/0000-0002-9067-9891

Abstract

At the height of the late Modernity crises, the subject/object dichotomic paradigm has been called into question on various philosophical and cultural fronts. In this context, we propose the concept of interject and interjective relations to think of the gap or border where the conjunctions and disjunctions of experience take place.

Article Details

Issue
Vol. 31 No. 53 (2023): Philosophy of Technology Dossier
Section
Other Themes
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Author Biography

Adalberto Müller, Universidade Federal Fluminense (UFF)

Full Professor of Literature Theory at the Universidade Federal Flumiense, CNE FAperj Fellow and PQ2 CNPq Fellow. Graduated in Literature and Master in Brazilian Literature from the University of Brasília. PhD in Literature (French) from the University of São Paulo-FFLCH-DLM (2002) and Post-Doctorate (PDE-CNPq) at the University of Münster (WWU, Institut für Kommunikationswissenschaft, under the supervision of Siegfried J. Schmidt) and Senior Post-Doctorate (CAPES) at Yale University, Film Studies Program, under the supervision of Dudley Andrew. Former Professor of French Literature at the University of Brasília (UnB) from 2003-2009. He carried out previous research on literature and cinema, and on the filmmaker Orson Welles, published in ORSON WELLES: BAND OF ONE MAN (Azougue, 2015). Between 2013 and 2021 she dedicated herself to translating and writing a critical and annotated edition of Emily Dickinson's poetry (published: POESIA COMPLETA DE EMILY DICKINSON, Editora da UnB/Editora Unicamp, 2020, 2021, 2. vol.) In 2018 she was a Visiting Scholar at the University at Buffalo (SUNY), in the Department of English, at the invitation of Cristanne Miller. She is a Member-at-Large of the Emily Dickinson International Society (2021-2023). She has also published, with Márcio Seligmann-Silva, a critical edition/translation of Walter Benjamin's theses (ON THE CONCEPT OF HISTORY, ed. Alameda, 2020), as well as the books of short stories O TRAÇO DO CALÍGRAFO (ed. Medusa, 2020) and PEQUENA FILOSOFIA DO VOO (ed. 7Letras, 2021). He has published several books of essays and poetry, as well as translations of Francis Ponge, e.e. cummings and Paul Celan. His most recent publication is the book of essays THE IMAGE UNDER THE IMAGE (Eduff, 2022). He wrote and directed the 35mm short film WENCESLAU E A ÁRVORE DO GRAMOFONE, based on the work of Manoel de Barros. She works in the field of Literature, with an emphasis on Translation, Literary Creation and studies into the languages and cultures of the Tupi-Guarani family. She is currently working on research and translation on the cosmologies and languages of the Tupi-Guarani family (Guarani, Nhandeva, Mbyá, Kaiowá).

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